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  • Out of the Nonplace, Into My Car

    "Non-place or nonplace is a neologism coined by the French anthropologist Marc Augé to refer to anthropological spaces of transience where the human beings remain anonymous and that do not hold enough significance to be regarded as 'places'."

    *

    This past Monday I picked my boyfriend Larry up from the airport. On the drive there, I was thinking how when he had recently done me the same favor, he managed to time it so perfectly, he had pulled up to my terminal right as I was walking out the doors. My timing would not be quite so impeccable, as it was certain he’d either be waiting for me for a few minutes, or I’d be circling around while he waited for his bags to arrive.

    I turned up the song playing in my car (“Mood” by The Internet) and told myself the timing would be fine enough. I started thinking, as I often do, about the film “When Harry Met Sally,” which has ingrained in my brain the notion that taking someone to or from the airport only happens at the beginning of a relationship. Note this exchange:

    Harry Burns: You take someone to the airport, it’s clearly the beginning of the relationship. That’s why I have never taken anyone to the airport at the beginning of a relationship.

    Sally Albright: Why?

    Harry Burns: Because eventually things move on and you don’t take someone to the airport and I never wanted anyone to say to me, How come you never take me to the airport anymore?

    Sally Albright: It’s amazing. You look like a normal person but actually you are the angel of death.

    We can also thank Harry and Sally for reminding us that [heterosexual] men and women can never truly be friends, “because the sex part always gets in the way.” While I still stubbornly insist that’s not true, Harry Burns has clearly gotten in my head.

    I got to Larry’s terminal shortly after he had walked out, as luck would have it, right as Thundercat’s “Friend Zone (Ross from Friends Remix)” was ending on my mix. This was exactly what I wanted, as the next song is “oranges in winter” by Bassti  and it was exactly the right blend of chill and drama for pulling away from the airport. One minute and 25 seconds of it. Start talking, and you miss it.

    As much as you’re supposed to hate the chore of picking someone up from the airport, I was delighted to do so — and not only because you could technically say I was returning the favor, as he’s picked me up on more than one occasion after my travels. It just felt good. I liken it to the warm feeling I get when I give my cats a treat of wet food, and they wind their fuzzy bodies around my legs in anticipation, their purring heightened to a low motor. Why not go the extra mile to show a person, or a cat, that they are special? (In this scenario, the wet food equals a ride in my Ford Focus and dry food equals taking the CTA home from the airport, in case this is going too far off the runway.)

    So imagine my continued delight when I opened this week’s New York Times Magazine and the “Letter of Recommendation” essay is called “Rides to the Airport” by Jacqueline Kantor — and she’s discussing exactly this! Including, thank goodness, a reference to “When Harry Met Sally,” and excluding, thank goodness, a weird analogy to an airport ride and feeding your cats. She notes that while Harry’s notion “isn’t wrong,” still, “Airport rides carry more weight when they’re done on the basis of an intimacy that burns long instead of fast.”

    Ms. Kantor apparently lives in New Orleans, and I can only hope that, should I get to travel there again, we will become fast friends and she will give me a ride to the airport when it’s time for me to return home. I love the way she likens this form of intimacy and closeness to “lying on the couch in contented silence” — which I am currently doing with my cat, Peaches, but am quite likely to do with a human man named Larry again soon enough.

    As Ms. Kantor writes:

    “The airport is an example of what the French anthropologist Marc Augé called “nonplaces” — locations where humans are decidedly transient. (I imagine the people are marked by numbers: a receipt in a grocery store; a boarding pass in an airport.) In a nonplace, you can feel either irrevocably alone or intensely independent. You are the only person concerned with your identity. Settling in next to someone in the car after being submerged in the anonymity of a nonplace brings a return to sense of self as acute as coming up for air.”

    “Irrevocably alone or intensely independent.” Yes. Most often I get a quiet thrill out of walking fast through an airport alone. I felt that intense thrill of independence most acutely this summer at the San Jose airport, as I hoisted my duffel bag onto my shoulders and headed outside to wait for the Lyft that would take me to a weekend yoga retreat. I would barely speak for the next three days, and it was both anxiety-inducing and freeing.

    Perhaps it takes knowing you can be in comfortable silence with yourself (and/or your cat) before you can truly enjoy that thrill with another person. In my case, when Larry got in my passenger seat on Monday evening, he looked at me and I looked at him and I had never seen him more clearly.

    “Wait, what was that beat?” he asked, immediately distracted by the music. “I know this.”

    We drove back into the city, out of the nonplace.

  • Always Be Cleaning Up

    The Sunday paper can be so devastating.

    Headlines:

    FATHER IS ARRESTED IN BEHEADING OF GIRL, 16, WHO WANTED TO SEE HER BOYFRIEND

    SHE TAPED HER BOSS’S LEWD CALL. GUESS WHO WAS FIRED AND SENT TO JAIL?

    Why do men hate us so much?

    Why are they so afraid?

    *

    I am mildly hungover but full of ambition.
    It’s not yet 1pm and there’s so much promise.

    Beth texts: “Sigh. Yet another woman making a man’s life easier.”

    Me: ::a series of clapping emojis::

    “Always be cleaning up,” she replies.


    I’m listening to the new Juliana Hatfield.
    She sings, “it’s so weird”
    and I think,
    Precisely.

    *

    Larry’s in Miami for another day. On the phone this morning, I alternate between the worst and somewhat decent versions of myself.

    Oddly, he’s open to both,

    open to it all.

    Maybe it only feels odd because no one gave me that before.

    Or at least I didn’t give me that before.

    They — or me? Probably me —only fixated on the bad,
    but how was I supposed to grow from that?

    IS THAT EVEN TRUE?

    It’s impossible to know.

    Like Peggy Olson, or maybe that character Stephanie, said on Mad Men,
    We can’t see ourselves.

    But I’m trying, I really am.

    Last night I couldn’t get the door to lock on the gender-neutral bathroom at Cole’s.
    It felt like a trick.
    The last time I was in there I was not alone, and the memory hit me right as someone tried to push in.
    I pushed back,
    click.

    It’s not that it’s a bad memory, it’s just a memory.

    The next time I had to pee I went in the women’s
    where the stalls made it feel safer.
    Of course this is only my experience
    but I just want a private stall most of the time.

    I don’t write on bathroom walls but
    I enjoy taking photos of others’ work.

    Once, recently, in another bathroom
    I turned to flush and saw Larry’s name on the wall.
    When I got back to our seats at the bar, he’s nonchalant as usual
    “Oh yeah, it’s there.”

    *

    I’ve finished what I want of the paper.
    I can’t read the word “Trump” anymore today.

    It really kills this Sunday ambition.

    Instead, I should focus on the opinion piece I read by Viet Thanh Nguyen;
    the one by Jill Filipovic too.

    HONEST WOMEN REPLACE ‘SELF-MADE’ MEN

    *

    I can’t decide if I like this Juliana Hatfield altogether or not,
    but I definitely like her lyrics on “All Right, Yeah” —
    it goes a little like this

    “Spray perfume on my sternum

    It mixes with my sweat

    All right, yeah

    All right, yeah

    Minimum, medium, maximum cool”

    If anything is clear amidst all my ambiguity
    it’s that I’m drawn to other women’s words.

    Within,

    Power.

    Maybe that’s why the weak men are so terrified of us.

    They should be.

    The good ones can follow Larry’s lead, or at least they can try.
    I’d call his composure to my most reactive states
    MAXIMUM COOL

    Even if he would clearly, distinctly dislike this album (although I have no idea) (I don’t even know my own feelings on the matter)
    Even if he loves some club in Miami
    I would most certainly loathe.
    Guess what? It’s fine!
    We don’t have to like the same things all the time.


    *

    Jill F. writes, of Nancy and Ayanna and Ilhan and Alexandria
    and I want to cry from the hope of it all.

    It gives me the stomach to read the other stories
    knowing they — we — are moving
    “toward the good.”

    Remember:

    “Women shouldn’t adapt to the existing lie; men in the political realm should be more honest.”

    It can be hard to be fully honest in any realm,
    I’ve realized.
    Confessing to my bullshit and my real shit on the phone this morning,
    I feel uneasy,
    like I’m back in that damn bathroom from last night
    unsure if at any moment, some person is going to barge in
    and catch me in the act.

    The point is, though, it’s worth it — and better than adapting
    to the lie —
    the lie being that you were ever unworthy
    or inadequate.

    That’s why we scribble our truths on bathroom walls
    (or in my case take photos of others’ truths to build on my own)
    cause even when you & me & we don’t feel even remotely

    Minimum

    Medium

    Maximum

    COOL

    We are.

    Time to go scrape the snow off my car

    and take this ambition out in the afternoon.

  • to be sorted » is anything wrong with my mind?

    to be sorted » is anything wrong with my mind?

    If I stare too long at my stacks of books and magazines and the Sunday NYT, I’m gonna lose it. Currently: Audre Lorde open, journal open, T Magazine beside me, Claudia Rankine and a new notebook I didn’t need to buy at my feet, last Sunday’s paper I didn’t read — yet — on the coffee table.

    I’ve got gifts I need to give on my record stand, and of course, more books, stacked.

    DO I HAVE A PROBLEM?

    On Sundays I am consumed with the need to read EVERYTHING, at once.

    I have got to learn to calm down.

    The first Sunday of last month I read the entire Sunday Times — with the exception of the Sports section, of course — and was so pleased with myself that I wrote it down in my journal, and again, here, now.

    There’s a specific kind of accomplishment I feel after reading the paper. Like it’s so fucking novel of me to hold an actual newspaper in my hands.

    Friday morning I was on a flight to New York, catching up on my New Yorkers, because that’s what flights are for, and mad at myself for only putting three in my bag (plus the New York Times Magazine), but putting more than four magazines in your bag for a day business trip has got to be actually fucking INSANE behavior, correct?

    The point is, I always have good intentions. When it comes to my reading productivity, that is.

    Today I did manage to read, and finish, Claudia Rankine’s Don’t Let Me Be Lonely. Later, I was (re)watching She’s Gotta Have It on Netflix (the series, not the original) and at a dinner where Jamie Overstreet’s being a prick about Nola Darling’s sexy little black dress, he gives her Citizen, which is currently perched on one of the three stacks of books and magazines and papers on my coffee table.

    I looked at the TV and looked at my book and wondered, as I often do, why I was watching Netflix when I really should be reading. But whatever, I like that show and it feels more constructive than watching Frasier.

    Don’t Let Me Be Lonely is a marvel. Citizen, too. Because Claudia Rankine is a marvel.

    I have read page 40 multiple times today, which is maybe why I can’t seem to get around to sorting through all my stacks of reading material.

    (Yes, I intentionally posted the photo this way.)

    “Have I ever vomited love or coughed up blame?”

    *

    Previously: "focus your intensity; quit being the apology"

  • 'where excuse & endurance mingle'

    On Monday, September 25, 2017, I wrote down some things.
    I titled them “yesterday” and “today”
    So on that day, my yesterday and today went something like this:

    yesterday:

    He is so intimate with me, kissing me during
    saying
    “Kiss me”

    The a/c in his bedroom hums

    And I like when he smiles at me, during

    Like we are sharing a secret
    an inside joke

    something

    I wish he would stop doing that.
    I hope he doesn’t quit.

    It’s confusing, he’s so contrary.

    My Lyft driver takes an eternity to get me
    and I bite his head off.

    “hey, I’m sorry -- don’t be sad,” Masood says.

    How did he know?

    today:

    I wondered again if I’d come home from work and find Mufasa,

    dead.

    Maybe in the tub.

    I go to the Gap outlet and try on

                                   a red bodysuit

                                   sexy boyfriend jeans

                                  girlfriend jeans

    All 3 items make me feel
    miserable.

    I look in the mirror and
    my eyes are huge, bloodshot

    Heightened by my eyes bare
    except for mascara making
    my lashes look maniacally

    l o n g

    My lipstick not quite right, too
    orange and
    not enough red.

    What the fuck is a “sexy boyfriend” fit, anyway?

    Why do I keep insisting on trying this style on --

    They flatten my ass and make my figure …

    off.

    Everything looks awful and
    I look high

    but I’m not.

    Surely Mufasa isn’t dead in the tub.

    I walk out empty handed,
    feeling like a thief.

    “Have a nice day!” the cashier calls.
    I turn red: “You too!”

    My eyes burn & so does my face.

    It’s too hot for September 25th.

    When I get home, Mufasa is at the door.

    *

    Now it’s 2018 and almost 2019.
    Mufasa is dead,
    but she didn’t die in the tub.
    Instead it was on a cold table
    with her head cradled in my hand
    and a kind vet
    taking her away
    as I sobbed,
    teardrops falling on my Indiana hoodie,
    feeling the loneliest I had felt in
    years.

                    It was lonely like crossing the parking lot to the hospital where my mom was inside dying

                                                like taking my clothes out of M’s dresser for the final time

                                             like getting lost in Covent Garden while in London alone

                                          like

                     like trying on a red bodysuit and unflattering jeans on a too-hot September day because I don’t want to go home and see my dying cat who was now dead

    It was lonely,

    like.

    I didn’t know then what I know now:

    That my heart could break like that
    and that Layla would soon follow
    That my heart could heal like this
    and that a year later

    Yesterday and today

    look entirely different

    and the same

    Because I’m still late meeting Lauren for brunch on a Sunday
    Parking in front of my old apartment,
    almost crossing paths with my past
    but missing him, because
    we vibrate on entirely different
    frequencies now.

    I hope for him,

    still.

    Not for us, because us was a disaster.

    And I’m not sad about it, anymore, really — look,
    Nao sings, “he released me into orbit”
    and it makes me think of him
    and all of that pain we gave each other feels worth
    something, now.

    Because I’m free
    of all of it.

    I picked up my Audre Lorde to find a poem to fit the mood,
    and like usual, today,
    I had forgotten the one I had bookmarked
    some yesterday ago — “Movement Song”

    god, she nails it here:

    “Do not remember me as a bridge nor a roof
    as the maker of legends
    nor as a trap
    door to the world
    where black and white clericals
    hang on the edge of beauty in five oclock elevators
    twitching their shoulders to avoid other flesh
    and now
    there is someone to speak for them
    moving away from me into tomorrow”

    — there is so much more,
    but you’ll have to find it
    your damn self.

    *

    These days I’m writing down PJ Harvey and Erykah Badu lyrics in my journal
    and writing a shitty poem on a Sunday that I call

    THE PLEASURE PRINCIPLE

    because Janet,
    obviously.

    But that was another yesterday.

    today:



  • Birds of Apolonia, Tales of Araceli

    Polly’s reading chapter books.
    Araceli counters, well, “I’m only 2.”

    They both continue to amaze me.

    On the playground,
    creating elaborate detail

    no matter what we play.

    It’s Sunday morning.
    Araceli is going on and on
    with an idea I can barely follow

    until she calmly, assertively

    informs,

    “Auntie Al, I have to poop.”

    Polly & I hang back
    while Araceli heads to the BP with Jay
    to take care of business.

    We sit at the top of the slide and wait for them
    and Polly teaches me a thing or two

    like usual.

    As they return to the playground
    Polly and I jump up and wave

    and Araceli bounds back

    in her little red pants
    and new yellow tee
    with cats on a trampoline

    and we’re back to the storytelling.

    It’s something else entirely.

    Later,

    and the girls are gone —

    I’m listening to Jenny Lewis
    and cooking brussels sprouts 
    and thinking about them.

      We watched Mister Rogers

    and Daniel the Striped Tiger sang
    a song about how it’s very hard to wait.

    Araceli wraps a cat toy in her blanket.

    Polly puts her hand in mine.

    I couldn’t love them more.

    It’s the way Araceli woke me up on Saturday
    by talking to me as if we were mid-conversation;

    it’s the way she calls, “Peach!” to the cat
    and is delighted when he eats the treats she throws down;

    the way she put her stuffed cat Bubba
    on the ground by my bed (“if Peaches sees Bubba
    then he maybe won’t be scared
    and he’ll get used to me,” she explained).

    Meanwhile, Polly's engrossed in her third book of the weekend.

    She’s stretched out in the chair,
    the chair that’s mine that was my mom’s,
    skinny brown legs crossed —

    Not even fazed for one second
    that I knew the main character was named Karen
    Because I, too, used to drown out all the adults
    and everything else around me
    engrossed in a Baby-Sitters Little Sister book

    on a Saturday afternoon.

    When the girls are gone,
    I consider how different my couch looks

    without Pinky and B
    George and Bubba
    Araceli, Apolonia & Me.

    Fred Rogers was right,

    of course.

    There are many ways to say I love you.

  • to be sorted later » focus your intensity; quit being the apology

    to be sorted later » focus your intensity; quit being the apology

    Happy New Moon in Virgo!

    No, I don’t understand exactly what the New Moon in Virgo means, but it’s fun to consider. I liked this reminder to “anchor into our wholeness,” according to the astral insights from Mystic Mamma.

    And why not consider a new moon as an ideal opportunity to give your intensity some focus?

    Don’t ignore the power of the motherfucking moon.

    I love September. Everything feels new. I’m reminded, each September, how much I love the promise of fall, the breeze cooling. It’s almost romantic.

    There’s so much to sort through, always.

    *

    I’m still thinking about this poetry and photography project from The New York Times. It’s called “Being Women: Poetry and Imagery” — and good god, it makes me feel so much. My favorite, “Until the Stars Collapse,” is by Tonya Ingram, and goes like this:

    you owe it to yourself to quit being the apology. to
    hold your hand and sing your favorite song. to

    love another and see how far that will go. to love
    yourself and forget where you were headed in the
    first place. love is a funny story. it wakes up and
    builds a plot. it wakes up and shapes you into the
    kind of woman your mother studies. i am not per-
    fect in it. i am not even remotely articulate. but it
    is big, this love. it is airborne and triumphant. i am
    no easy show. i hurt like the climb of my lineage. i
    hurt on purpose. i hurt to not be hurt. no, none of
    this is an excuse. just a blueprint. a map. come
    find me when the day is bronze and the sorrow is
    full. i am building my poem in this here heart. all
    of it is a working title.

    “I am no easy show.” God-dammit-all if I don’t get it, Tonya. Thank you for this. I’ve said it before, and I’ll say it again:

    Women are amazing.

    You’ve gotta check it all out. And the photos!

    My other favorite is "For My Grandmother's Perfume, Norell" — but I’ll let you read that on your own, should you desire.

    “...love yourself and forget where you were headed in the first place.”

    Love yourself. What a radical notion. I’ve been trying it on for size, and I like it.

    *

    Speaking of women being amazing: Today I finished reading The H-Spot: The Feminist Pursuit of Happiness, by Jill Filipovic. I highly recommend it.

    That’s it. Happy New Moon in Virgo.

    Anchor into your wholeness. You deserve it.

    *

    Previously: “baby be simple”

    Photo: Taken at the National Museum of Mexican Art, Chicago [by me]

  • trashy life, rosy mythologies

    trashy life, rosy mythologies

    Each time I turn to Susan Sontag’s journal,
    I find myself
    on the same entries,
    drawn to the same lines —

    like

    “All my life I’ve been looking for someone intelligent to talk to.”

    and

    “I’m loyal to my feelings. What does that mean?”

    another — a favorite —

    “Pseudo-problems!”

    *

    On a Sunday afternoon
    Lauren & I talk shit about boys
    at a French cafe on the corner of Augusta
    over fries & the perfect whiskey smash.

    I worry about my looks
    (what a fucking bore)
    and she looks perfect,
    with her arm stretched out
    on the back of the bench
    that might just be a church pew.

    I want to take her picture,

    but I don’t.

    “Pseudo-problems!”

    I’ve been told I’m beautiful
    my whole fucking life

    & still, it doesn’t stick.

    We only hear what we can
    — or is it what we want?

    Unlike Susan, I don’t feel loyal to my feelings.

    They change constantly, after all.

    I order another whiskey smash.

    There are sauteed calf brains on the menu.
    I could never pretend to be that invested.
    You can order them for breakfast, even.

    *

    All my life I’ve been looking for someone
    to make me laugh like I do with my girlfriends.

    “Can I love someone (N[icole]) and still think/fly?”

    I’d say so, Susan, yes.

    But where is the proof?

    She writes of feeling “inauthentic at a party”
    & lately — forever? — I feel inauthentic

    when I have the desire
    to show my authentic
    to a man.

    What does that mean?

    PSEUDO-PROBLEMS!

    *

    On August 14, 1973, in Paris,

    Susan Sontag was reading — re-reading —
    Kafka’s “Investigations of a Dog”

    And on August 2018, in Chicago,
    I’m reading another woman’s journal
    & just trying
    to get my new cat to love me.

    Trashy. 

    Rosy. 

  • Won't You Be My Neighbor?

    “What do you do with the mad that you feel

    When you feel so mad you could bite?

    When the whole wide world seems oh, so wrong...

    And nothing you do seems very right?”

    — Fred Rogers

    *

     

    The Mr. Rogers documentary, Won’t You Be My Neighbor? is the film America needs right now.

    Yes, it’s a tearjerker — and yes, I ugly-cried through much of the 93 minutes — but it’s purposefully, not manipulatively so. Like Fred Rogers himself, and his PBS show, Mister Rogers’ Neighborhood, this documentary reminds its viewers that how we treat each other matters. That children — and yes, adults too — feel deep, and often confusing, emotions. And that above all else, what matters most is love: To give and to feel love, and to know, especially as a child, that you are deserving of love.

    Love thy neighbor as thyself. Now that’s a passage from the Bible Jeff Sessions should be reading, and considering, when it comes to immigration policies. It’s a sentiment we all could consider before we dive into the comments section on Facebook and argue with each other via our screens. It’s most certainly one that Donald Trump should learn before his next Twitter rant.

    Love thy neighbor as thyself.

    Mr. Rogers lived by that sentiment, and through his quietly radical public television show, he made millions of children — myself included — feel loved and unique and important. And if “quietly radical” doesn’t sound like the Mister Rogers’ Neighborhood you remember, with the Neighborhood of Make-Believe and Daniel Striped Tiger and above all, the dorky, singing old dude in the cardigan sweater, it’s time to revisit the show through this documentary. You’ll think again when you see Fred Rogers and his black castmate François Clemmons dip their feet into a tub together in one episode, protesting racial segregation. Watch for his smile at the camera—love is powerful, indeed, and no one was going to stop Fred Rogers from spreading a message that love does, in fact, always trump hate.

    In 1969, Fred Rogers took that message to the U.S. Senate, testifying about the necessity of funding public television. In only a 6-minute statement, he managed to secure $20 million in funding.

    This is what I give. I give an expression of care every day to each child, to help him realize that he is unique. I end the program by saying, “You’ve made this day a special day, by just your being you. There’s no person in the whole world like you, and I like you, just the way you are.” And I feel that if we in public television can only make it clear that feelings are mentionable and manageable, we will have done a great service for mental health.

    These are dark times for America, and I feel strongly that Fred Rogers would agree. By watching this documentary, I learned that Mr. Rogers was a lifelong Republican. (Funny how I never worried about his party affiliation back when I was watching the show at my babysitter’s house.) It’s been 15 years since he died. But I have no doubt, deep in my heart and soul, of this: Republican or Democrat, if Mr. Rogers were alive today, he’d be urging us to consider more than each other’s party affiliations; to move away from the memes and hateful social media commentary; and to instead see our shared humanity. And to speak up for what’s right, especially when children’s lives are at stake.

    Let’s speak up for love and understanding.

    Won’t you please, won’t you please?

  • AN EMOTION PICTURE.

    Save the date: April 27, 2018. 

    *

    Until then, I'll be watching the "Make Me Feel"  and "Django Jane" videos on repeat. 

    Let the vagina have a monologue
    Mansplaining, I fold 'em like origami
    What's a wave, baby? This a tsunami

     For more evidence of my Janelle obsession, see my Twitter feed and visit the archives of this blog

  • WTF is a Choon Group?

    WTF is a Choon Group?

    It's a brand new music site! Or "digital magazine," if you will. Made by music lovers, for music lovers—Choon Group features album and concert reviews, features like Arranged Autobiographically, playlists, podcasts, and much more to come.

    I'm still feeling pretty geeked I was asked to be a contributor. Check out the site and be sure to read my first review, of Rhye's new album, Blood. 

    You can also follow Choon Group on Instagram, Facebook, and Twitter. You can, and you should! Do it!